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Nobody has or will ever make westerns like Sergio Leone. A characteristically gruff Clint Eastwood plays an inmate who interprets the following line as a challenge: “No-one has ever escaped from Alcatraz and no-one ever will.” The fight/die/repeat format keeps a ferocious pace and doubles as a comment on the infallibility of the Hollywood hero.įans of The Shawshank Redemption will get a kick out of spotting the similarities with Don Siegel’s diligently directed bust-out classic from 1979. Tom Cruise plays an alien-fighting US solider who cannot die and experiences the same day over and over, Groundhog Day style, in Doug Liman’s rootin’-tootin’ video game-esque sci-fi. Scorsese is a master of the gangster genre. Leonardo DiCaprio and Matt Damon are (like Jack) also superb as two cops, one straight and the other crooked, spearheading a twisty plot (remaking Infernal Affairs-also on Netflix) consummately directed.
DEMON DRIVERS CAPSULE MOVIE
Tom Hardy’s monstrously nihilistic villain breaks Batman’s back, literally, bringing a menace to Gotham City that gives one the collywobbles.Ī Martin Scorsese movie with Jack Nicholson as lead gangster is a match made in heaven-or maybe, a match made in the other place. But The Dark Knight Rises has the best atmosphere, of suffocating dread and tension the air in this movie is completely terrorised.
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The Dark Knight contains the joker card of Christopher Nolan’s Batman movies-Heath Ledger in his diabolically good Oscar-winning performance.
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Stuart Beattie’s lean script is paced very well, and the flashiness of the action scenes is wedded to characters and situations-including a highly memorable shoot-out in a night club. Tom Cruise is an ice cool hitman and Jamie Foxx his grudging taxi driver/chauffeur in Michael Mann’s slick single night thriller, which despite a polished look conjures a noirish street-side vibe. Is he a robot too? Do androids dream of electric sheep?! The more recent Blade Runner 2049 is also a magnificent and intensely cerebral achievement. Harrison Ford patrols dark and dank streets retiring very human-esque replicants, forming the centre of a philosophically chewy sci-fi with big questions on its mind. Ryan Gosling plays a replicant guiding us through a future that’s bleak, soulful and biblical, in a ghost-in-the-machine sort of way.įew films are as aesthetically influential as Ridley Scott’s dystopian classic, which came to define the look and tone of cyberpunk motion pictures and video games. Denis Villeneuve succeeded magnificently with his atmospherically heavy, Roger Deakins-shot sequel to Ridley Scott’s rain-clogged neo-noir. Making a sequel to one of the most influential sci-fi films of all time is a piece of piss, said nobody ever. The story of a decent kid embroiled in a life of crime becomes a quasi-musical and a possessed jukebox of an action movie by matching visual and audio in such a way, Wright made a genuine original.
DEMON DRIVERS CAPSULE DRIVER
A rich painterly look brings visual flair to an admittedly difficult script-with too much rather than too little plot-following Michael Fassbender as he inhabits the body of an assassin in 15th century Spain.Įdgar Wright’s sassy crime caper follows a getaway driver (Ansel Elgort) who is on the autism spectrum, putting his foot to the floor only if listening to killer tracks on his headphones.
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Justin Kurzel’s under-rated adaptation of the blockbuster video game is an intensely sombre work that never condescends to viewers, in a genre that almost always infantilises audiences. You can find their current streaming homes by clicking each title. Here we’ve preserved Luke Buckmasters’s short and sweet reviews of action movies that have been moved from their original streaming platforms.
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